Lights out horror full movie movie#
The clip became so popular that, naturally a studio came bumbling over and commissioned it into a feature length film because clearly a 3-minute Youtube clip that leans entirely on one creepy visual image can be seamlessly lengthened into a satisfying feature.Įxcept, as the movie 9 showed us pretty unequivocally, this is not true. It’s a pretty brilliant little exercise in using silhouettes and editing to achieve maximum and visceral effect. Sandberg wrote, directed, scored, shot and gave birth to a 3-minute horror short called Lights Out. No one else will need to sleep with the lights on.In 2013, David F. (I was relieved when a couple of cops showed up because the chances of the main characters surviving shot way up.) Little kids might like it: It’s a starter shocker. Lights Out is not sadistic, gratuitous, or especially reactionary as pro-nuclear-family horror pictures go, and the body count is so low you could almost call the movie wholesome. It takes away one of their best tools for building a character. I’d love to hear her real voice: Brits, Aussies, Kiwis, and South Africans all tend to adopt the same anonymous, from-nowhere American accent. Palmer, an Aussie who looks like a cross between Kristen Stewart and Blake Lively, does about as well as can be expected.
Rebecca hears that voice, puts one and one together (two and two is the higher math), and lets her mom have it: “There is a dead woman in this house, Mom, and you let her stay!”īello is an excellent actress and makes Sophie’s anguish credible, although she can’t rise above the material. The actress who does it would have been laughed out of an Exorcist audition. That’s a fair approximation of the voice of the demon. That someone sounds very jealous of anyone who gets close to Sophie. Rebecca’s little half-brother Martin (Gabriel Bateman) hears his mom having long, weepy conversations with someone in the shadows. Now the stepfather who replaced her father is gone, too, although this time leaving behind his mangled body. So the 20-something heroine, Rebecca (Teresa Palmer), must be commitment-averse because, when she was 10, her father vanished, leaving her alone with her unstable mom, Sophie (Maria Bello). To turn this into a feature (albeit one that runs a bare 81 minutes), Sandberg and writer Eric Heisserer needed to invent a personal drama. Fifteen minutes of lights on/lights off could make you sick with fear, no narrative padding required. Sandberg based the film on his own video short, and I’m betting it was a fine one.
This is the sort of low-wattage horror movie at which everyone in the audience talks, texts, makes calls, occasionally hollers at the screen, and in general behaves as if they’re watching an unusually uneventful high-school basketball game.ĭirector David F. I liked those crashes because they momentarily drowned out the group of tweenage girls in back of me who wouldn’t shut up.
Whenever the angry ghost appears, there’s a fortissimo crash that would make you jump even without the scary visuals. From a speaker on the left comes insistent scratching, from the right an occasional creak. Every bulb buzzes, every flashlight flickers, every flame wavers. Lights out and the creature is suddenly on top of the poor innocent who’s trying to keep the lights on. Lights out and across the room you see the vague outline of a mottled, long-haired wraith. This produces one good, shuddery effect, repeated throughout the film: Lights on and there’s nothing. The gimmick of Lights Out - a C+ ghost picture that once or twice rises to the heights of a B- is that the female demon can only manifest herself when it’s dark.
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